Showing posts with label Weeping Spoon. Show all posts
Showing posts with label Weeping Spoon. Show all posts

Friday, November 22, 2013

Theatre: Bruce

Weeping Spoon Productions
Created and performed by Tim Watts and Wyatt Nixon-Lloyd
Music composed by Wyatt Nixon-Lloyd
The Blue Room Theatre
Until December 7

Like all modern heroes, Bruce is a complicated guy. Well, maybe not “guy” exactly. Bruce is a complicated chunk of mattress foam with eyes stuck in it, and a pair of disembodied, white-gloved, hands. Sometimes three.
Bruce only has three hands when he’s a hallucinating junkie. Not when he’s an astronaut, or a cop, a best-selling author or a newborn baby, a doting father, a tongue-tied suitor or an old man.
No matter how he’s counting his hands, though, Bruce has a problem with eyes. Not his two, but the one that his former partner, One Eyed Joe, lost when Bruce unwisely took a shot in a police raid. Joe, who grew up dreaming of being an astronaut himself.
It’s a cruel world for the one-eyed, and Joe wants revenge.

Link here to the complete review in The West Australian

Tuesday, October 15, 2013

Theatre: Trampoline

By Shane Adamczak
Directed by Damon Lockwood
Performed by Shane Adamczak, Amanda Woodhams and Ben Russell
The Blue Room Theatre
Until October 26

Matt (Shane Adamczak) is a young man with a problem - he dreams too much. His therapist, Dr Vangillies, explains that he spends 85 per cent of his slumber in REM sleep, the time of dreams. It dominates his nights, and waking dreams wreck his days.
A girl - with trampoline - moves in across the street. Kelly (Amanda Woodhams, who also plays Vangillies) is also troubled, but the reasons for her distress are much more obvious. She's lost her mother to cancer and her father's grief has turned to violent anger.
It's not unusual to have sympathy for a play's characters but Adamczak makes us really feel these damaged kids are entitled to a happy ending. 
In the end, Kelly cures Matt as he frees her. But Adamczak sows a last seed of doubt when, in the play's final line, Kelly tells Matt: "I'm your dream come true, baby."
And maybe she is. Or maybe that's all she is.

Link here to the complete review in The West Australian