Cabaret: The Beautiful Losers

Performed by Mark Jones, Mike McLeish and Karlis Zaid

Downstairs at the Maj

6 – 9 July, 2011

Mark Jones, Mike McLeish and Karlis Zaid, the Melbourne-based comedy and musical veterans who brought their dark revue, The Beautiful Losers, to the Maj Downstairs as part of its Cabaret and Comedy Carnivale, have the voices, the musicianship and the experience to do songs like Randy Newman’s revoltingly hilarious My Life Is Good justice, and the wit to turn them to their own purposes.

So what’s not to like about the Beautiful Losers? Plenty, unfortunately. There’s an unpleasant undertone to the whole endeavour that many critics have praised as brave and confronting but I found merely sour. There’s a great deal of obscenity, in word and deed, in the show, but it lacked either the irony or the twinkle in the eye to redeem it.

Link here to the complete review in The West Australian

Theatre: Scent Tales

Little y Theatre

Written by the cast, director, Corrine Davies and Alexis Davis

Directed by Joanne Foley

Designed by Monique Wajon

Music by Sian Brown

Featuring Georgia King, Mischa Ipp and Rhoda Lopez

Blue Room Theatre

Until July 16

Georgia King

Scent Tales, a parable of the passing on of knowledge, of love and forgiveness, is a little miracle and the best show to emerge from the Perth theatre so far this year.

This is a perfectly realized production, its power rising like dough turning into bread in the hands of its cast and creative team.

The story of two sisters Bea (Rhoda Lopez) and Sanji (Michelle Ipp) is narrated by their granddaughter and grand-niece (Georgia King), who at various times also plays their mother and grandmother. The grandmother’s legacy to the two girls – an extravagant string of pearls for pretty, adorable Sanji and a tiny slip of paper with the recipe for her wonderful “love bread” for intense, diligent Bea – causes a rift between the sisters that takes time and the ties that bind to heal.

Link here  for the complete review in The West Australian

Music: Kinky Friedman and Van Dyke Parks

Artbar

30 June, 2011

Kinky Friedman has built a long, singular career out of quirky country and western tunes sung in his surprisingly gentle Texan brogue, a distinctive take on life and his absolutely hilarious skills as a raconteur and quip merchant.

He had the Artbar crowd rocking with laughter and roaring their approval at his good ol’ dirty jokes, scurrilous opinions and twisted world view.

The edgy, mercurial Van Dyke Parks pounded his piano through a set of miraculous songs, pausing occasionally mid-stream to exclaim “God damn it!” or similar before sailing on again.
At its highest points — a mighty, elegiac dance by bluegrass master John Hartford called Delta Queen Waltz and his own magnificent On the Wings of a Dove (listen below) — his performance showed why many believe Parks occupies a place in American music shared only by the other contemporary inheritors of the legacy of Stephen Foster and George Gershwin, his friends and collaborators Brian Wilson and Randy Newman.

Link here to the complete review in The West Australian

Comedy: Parodies Lost

Conceived and written by Nick MacLaine and Andrew Williams

Musical director Tim Cunniffe

Performed by Joshua Brant, Caitlin Cassidy, Izaak Lim and Andrew Williams

Downstairs at the Maj

29 June – 2 July, 2011

Parodies Lost is the brainchild of the same crew whose sell out season of Tomfoolery was one of the highlights of last year’s Downstairs at the Maj season.

I’m not going to reprise the accolades that show got in this paper, whose reviewer joined in the encore “because laughing for 90 minutes is not a feeling you want to end”, but there’s no denying this fresh-faced ensemble had another packed room eating out of their hands.

Parody is the parrot that perches on the shoulder of satire demanding crackers, and that’s the difference between the pointed originality of a Tom Lehrer and the more superficial amusement of this show.

Link here for the complete review in The West Australian.

Theatre: Ninety

Black Swan State Theatre Company
Written by Joanna Murray-Smith

Directed by Marcelle Schmitz

Featuring Paul English and Kirsty Hillhouse

The Studio Underground, State Theatre Centre

July 1-17, 2011

Joanna Murray-Smith

A man has agreed to spend 90 minutes with his former wife three days before he is to marry his much younger girlfriend. The former wife intends to use the time to persuade him to come back to her.

They met when he was her drama tutor, had an affair and married. Some years later he deserted her. He has become an internationally successful, award-winning actor and she an art restorer.

This is a very specific frame upon which to build a drama, full of possibilities but with very little margin for error. You have to be convinced by these two people, you have to come to want them to succeed or fail; and the working out of their situation needs to be clearly charted and reach a genuine and explicable conclusion.

Theatre: Rising Water

Black Swan State Theatre Company
Written by Tim Winton

Music by Ian Grandage

Directed by Kate Cherry

Designed by Christina Smith

Featuring Alison White, Claire Lovering, Geoff Kelso, John Howard, Stuart Halutz and Kai Arbuckle and Callum Fletcher (alternating)

Heath Ledger Theatre, State Theatre Centre

June 25 – July 17, 2011

Rising Water marks the arrival of the Heath Ledger Theatre, and Black Swan as its resident company. It’s a big-hearted entertainment with some striking assets, the most important of which hits you the moment you take your seat.

Christina Smith has done the play, and the theatre space, a great service with her set; three boats bobbing – actually bobbing ­– in their pens, with deep blue gleaming water below and a transmuting Indian Ocean sky above.

It’s brilliant to look at, and a perfect platform on which director Cate Cherry can manage the story and her cast. Significantly, it's the first design that solves the problems of visual focus in the space and makes the great curving wood surfaces of the auditorium look right at home.

Music: Jimmy Webb

Fly by Night Musician’s Club

June 28, 2011

An evening with Jimmy Webb is a gift of the company of some of the greatest songs of the past half-century. It’s particularly poignant this week, with the sad news that Webb’s best known and favourite interpreter Glenn Campbell was rapidly losing his battle with Alzheimer’s Disease, and that his current tour would be his farewell.

Webb and Campbell played together for the last time only a fortnight ago, and it’s hard to think of one of them without the other.

After a sprightly opener by local performer and songwriter Nat Ripepi, Webb took us through a set that, while it contained only ten songs, covered the important points of his long career.