By Ross Mueller
Ellander Productions
Directed by Sarah McKellar
Designed by Iona McAuley
Performed by Richard Mellick, Nichola Renton, Ian Bolgia, Paul Grabovac, Russya Connor and Danen Engelenberg
Much of the ambitious Australia/UK multi-arts company Ellander Productions’ theatrical output since they launched in 2010 has been decidedly underwhelming.
Concussion (at the Blue Room, directed by Sarah McKellar), though, is much more like it.
They’ve been wise to secure Ross Mueller’s nasty, opportunity-laden play, winner of the 2009 New York New Dramatists award. His story of a cop, Caesar (Richard Mellick), recovering from a savage beating and struggling to remember what happened before, during and after it, could be straightforward enough, but Mueller sets its narrative adrift in time and peoples it with some decidedly unsavoury types. While the result is often gobsmackingly obscene and morally bankrupt, work through all that and there’s quite a bit of wicked fun to be had and something to be said about the human condition in a world hotwired to the net and drowning in pornography.