Showing posts with label Joel Sammels. Show all posts
Showing posts with label Joel Sammels. Show all posts

Tuesday, April 28, 2015

Theatre: Armour (★½)

Written and directed by Tom Jeffcote
Designed by Sally Phipps
Lighting by Chris Donnelly
Sound design by William Langdale
Performed by Danen Engelenberg, Matthew Kiely, Joel Sammels and Ben Weirheim
Blue Room Theatre
Until May 7

What are we to make of a show so extravagantly paved with good intentions?
In Tom Jeffcote’s Armour, a counsellor and three guys from his men’s encounter group meet – for some odd reason – in an out-of-the-way scout hall to do some good old-fashioned sharing and caring. 

They’ve each got their own reason to be there apart from the chance to spill their guts: Neil the counsellor (Matthew Kiely) is trying to ride a wave of cutbacks at the hospital he works at; a brilliant student off the rails Mawkie (Danen Engelenberg) needs to get his weekly government fix, ex rock-star Robbie (Ben Weirheim) needs to get access to his daughter and ex-soldier Quentin (Joel Sammels) needs to get an AVO taken out by his wife lifted.
They’re all wary of Neil, and each other, and the whole exercise looks more likely to end in violence than catharsis, but somehow, little by little, the barriers between them break down.
And that’s even before the shooting starts.

Wednesday, February 5, 2014

Theatre: 10,000 Beers

By Alex Broun
Directed by Sussanah Thompson
Featuring Andrew Southern, James Porter, Joel Sammels and Paul Grabovic
PICA until Feb 1

This play about blokes who play football tells an authentic, convincing sporting story without a ball in sight. Well, not a football, at least (full-frontal nudity, adult language and themes warnings apply).
The 27 players from the Port Hedland Pirates are down in Perth for their end-of-season mad weekend. Their mission – to down 10,000 beers.
There is a stupendous bar crawl (it’s not a bad beginner’s guide to the watering holes of Perth and Freo), there is chundering, there are fights, there are the inevitable slobbering home truths. But there are also solidly drawn personalities and nuanced relationships, and a convincing transposition of the qualities and shortcomings the Pirates display on the field to their lives.
It’s fair to say that Broun and Thompson shy away from really exploring the darker side of these colossally male pursuits, but that would make 10,000 Beers a different play.
It would be hard, though, to make it more satisfying, insightful and entertaining than it already is. 



Link here to the complete review in The West Australian