Theatre: Rabbithead and Werewolf Priest

Rabbithead
Little y Theatre Company and whatshesaid
Devised and performed by Holly Garvey and Violette Ayad
Narrated by Humphrey Bower
Director Ian Sinclair
Designer Tessa Darcey
The Blue Room
Until July 14

Werewolf Priest
By Levon J Polinelli
Composer Ash Gibson Greig
Designer Reece J Scott,
Performed by Sven Ironside, Siobhan Dow-Hall, Magnus Danger Magnus, Stephen Lee, AJ Lowe and Daniel Buckle
The Blue Room
Until July 7

A few years ago the Blue Room went through a purple patch of domestic comedy/dramas by young, rising artists. House of Fun, Jack + Jill and, in particular, Pride, perfectly suited the precocious talents of their writers, directors and actors, and found inventive ways of saying something genuine about the lives of 20-somethings.
The devisers and performers Holly Garvey and Violette Ayad, working with director Ian Sinclair and Georgia King’s Little y Theatre Company, have returned to that territory with Rabbithead, and it shares many of those earlier productions’ strengths.

Link here to the complete review of both shows in The West Australian

Theatre: The Little Mermaid

The Little Mermaid

Houston Sinclair

Directed by Ian Sinclair

Devised and performed by Georgia King, Jacinta Larcombe and Ben Gill

The Blue Room Theatre

Until September 7

The earlier of the Blue Room’s Scandinavian double feature is a tricky, erotically charged inversion of the Hans Christian Andersen fairy tale The Little Mermaid.

In this version, the mermaid (Jacinta Larcombe) is a teenage girl in an Australian coastal town. She’s a castaway in the small society around her. Her only company, apart from her mother (Georgia King), is the picture of Leonardo DiCaprio above her bed. Then she meets a boy (Ben Gill) who befriends her and invites her to his party. In return, she takes him down to the sea.

Her mother wants to relive her belle-of-the-ball youth vicariously through her daughter, but when reminiscence becomes too too solid flesh, the consequences are heartbreaking and tragic.

Link here to my complete review of The Little Mermaid in The West Australian.

Theatre: The Wives of Hemingway and Birdboy

The best and brightest of Perth's young theatre artists are out and about in force at the Fringe and, even more than the touring acts rampaging through the festival, it's a chance for them to experiment and extend their range.
But, before you read on, remember that no matter how talented and inspired the people behind them are, not every experiment works, not every extension sticks, and that's as it should be. Just saying.

The Wives of Hemingway

Side Pony and Productions Weeping Spoon Productions

Directed by Zoe Pepper

Starring Adriane Daff, Josh Price and Tim Watts

North Perth Bowling Club

Until February 16.

Tim Watts, Josh Price and Adriane Daff

Tim Watts is the kid who wouldn't grow up, and he and his lost boys (and girls) play theatre like others play ultimate frisbee. It may not be theatre for kids, but it has many of the qualities of a game a bunch of them might play in their cubby.

Watts, director Zoe Pepper and the others have delivered some of the most justly admired and popular alternative Perth theatre in recent times (Alvin Sputnik, The Pride, It’s Dark Outside, Pollyanna) and they have earned some pretty major Get Out of Jail Free cards with their audience.

They’ll have to spend one of them this time, though. For all its audacity and smarts, Wives is seriously self-indulgent and more than a bit sloppy around its edges. They aren’t fatal flaws, by any means, and there are plenty of moments to savour, but most of the twists in the story are gratuitous, and there is no, repeat no, take away from the piece.

Link here to my complete review in The West Australian.

Birdboy

by Ian Sinclair

The Wet Weather Ensemble

Directed by Moya Thomas

With St John Cowcher, Alicia Osyka, Ian Sinclair and Moana Lutton

PICA

Until February 16

I could try to tell you what happens in Birdboy, but I have no idea whether it would represent its actual narrative or the intentions of the award-winning – and genuinely talented – collective, The Wet Weather Ensemble (The Bearskinner, Adam & Eve). You may come to an entirely different conclusion. As to any allegorical, metaphorical or cautionary purpose behind it all, your guess is as good as mine.

Birdboy is the result of an impressive development process, both here and in the US, but it feels like there’ve been too many cooks putting way too many ingredients into the broth. I’m sure the ensemble knows exactly what they are trying to prepare, but that’s not much help to us diners.

Link here to my complete review in The West Australian