Showing posts with label Caris Eves. Show all posts
Showing posts with label Caris Eves. Show all posts

Thursday, September 26, 2013

Theatre: Broken Colour and The Boat Goes Over the Mountain

At the Blue Room:

Broken Colour
By Nina Pearce
Directed by Mike McCall
Designed by Iona McAuley
Lighting designed by Andrew Portwine
Sound design by The Men from Another Place
Performed by Caris Eves, Hannah Day, James Helm and Nina Pearce

Until October 5

The Boat Goes Over the Mountain
Written, directed and performed by Andrew Hale
with Dave Richardson
Designed by India Mehta
Until September 28


Caris Eves and James Helm

Mental illness is a difficult subject for the theatre, because finding a dramatic path between impenetrability and over-clarification requires delicate tightrope walking. That's why Equus, with its wretched psychoanalytical recapitulations of everything that happens in it, is among the worst of plays. No such danger here. Nina Pearce's Broken Colour, a drama of anxiety and ecstasy, is a considerable achievement.

 The Boat Goes over the Mountain is a dramatic monologue by Andrew Hale about his journey to South America with the sole intention of ingesting ayahuasca, a psychedelic concoction reputed to be a path to self- knowledge. 
Hale is a considerable theatre artist; however, the spasmodic narrative and lack of interaction with the play's location are serious shortcomings here.

Link here to the complete review of both productions in The West Australian

Friday, November 23, 2012

Theatre: Glengarry Glen Ross


By David Mamet
Little y Theatre
Directed by Mark Storen
Designed by Fiona Bruce
Featuring Georgia King, Ella Hetherington, Caris Eves, Holly Garvey, Leanne Curran, Alexandra Nell and Verity Softly
Music by Andrew Weir and Ben Collins
Blue Room Theatre
Until December 8
Leanne Curran and Georgia King
There’s a reason Glengarry Glen Ross, David Mamet’s Pulitzer, Olivier and Tony award-winning 1984 drama, is having major revivals all across the US.
It can be found in the forsaken suburban tracts and vacated foreclosures that have hollowed out many American cities, so much like the worthless developments that Mamet’s salesman are hawking to their unsuspecting clients.
Little y Theatre’s production at the Blue Room has an all-female cast (although it’s required to use the script’s male character names and pronouns). Even if you’re not a devotee of gender-swapping theatre, a revival of a play about real estate is as appropriate a place as any to do it.

Monday, September 10, 2012

Theatre: Home and The Polite Gentleman

The Polite Gentleman
The Moxy Collective

Directed by Adam Mitchell

Written and performed by Mark Storen

Until  September 22

Home
The Broken Image Ensemble
Directed by Sarah McKellar

Performed by Caris Eves, Holly Garvey and Josh Magee

Until September 15


The Blue Room is enjoying a surge in popularity, with houses running at around three-quarters of capacity this year. That’s fortuitous for theatre in Perth, because the 36 independent productions mounted in its two small spaces comprise the lion's share of locally produced professional theatre in 2012.
It hasn't come at the expense of adventure and quality; at their boldest and best, Blue Room shows are as good as anything produced in this town.

Link here to the complete review in The West Australian