By Ross Mueller
Ellander Productions
Directed by Sarah McKellar
Designed by Iona McAuley
Performed by Richard Mellick, Nichola Renton, Ian Bolgia, Paul Grabovac, Russya Connor and Danen Engelenberg
Much of the ambitious Australia/UK multi-arts company Ellander Productions’ theatrical output since they launched in 2010 has been decidedly underwhelming.
Concussion (at the Blue Room, directed by Sarah McKellar), though, is much more like it.
They’ve been wise to secure Ross Mueller’s nasty, opportunity-laden play, winner of the 2009 New York New Dramatists award. His story of a cop, Caesar (Richard Mellick), recovering from a savage beating and struggling to remember what happened before, during and after it, could be straightforward enough, but Mueller sets its narrative adrift in time and peoples it with some decidedly unsavoury types. While the result is often gobsmackingly obscene and morally bankrupt, work through all that and there’s quite a bit of wicked fun to be had and something to be said about the human condition in a world hotwired to the net and drowning in pornography.
Showing posts with label Sarah McKellar. Show all posts
Showing posts with label Sarah McKellar. Show all posts
Thursday, August 21, 2014
Monday, September 10, 2012
Theatre: Home and The Polite Gentleman
The Polite Gentleman
Home
The Broken Image Ensemble
The Blue Room is enjoying a surge in popularity, with houses
running at around three-quarters of capacity this year. That’s fortuitous for
theatre in Perth, because the 36 independent productions mounted in its two
small spaces comprise the lion's share of locally produced professional theatre
in 2012.
The
Moxy Collective
Directed
by Adam Mitchell
Written
and performed by Mark Storen
Until September 22
The Broken Image Ensemble
Directed
by Sarah McKellar
Performed
by Caris Eves, Holly Garvey and Josh Magee
Until
September 15
It hasn't come at the expense of adventure and quality; at their boldest and
best, Blue Room shows are as good as anything produced in this town.
Link here to the complete review in The West Australian
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