Showing posts with label Kirsty Hillhouse. Show all posts
Showing posts with label Kirsty Hillhouse. Show all posts

Tuesday, November 29, 2011

Theatre: Private Lives

By Noël Coward
Onward Production
Directed by Marcelle Schmitz
Set design by Brian Woltjen
Costume design by Steve Nolan
Featuring Kirsty Hillhouse, Michael Loney, James Helm, Michelle Fornasier and Rosemarie Lenzo
Subiaco Arts Centre
Until December 10
Michael Loney and Kirsty Hillhouse (pic: Jon Green)
Noël Coward’s Private Lives is given a glittering, unsettling revival by Sally Burton’s Onward Production at the Subiaco Arts Centre in a sumptuous production marked by bravura performances by its stars, Kirsty Hillhouse and Michael Loney, and an expertly paced reading by director Marcelle Schmitz.
Schmitz is a considered and talented director, and she is neither spooked by the domestic violence that haunts the play nor bogged down in it. She gives the play’s sharp glamour and wit a full head of steam, and her cast take glorious advantage of the license given them. 
Private Lives is like a dazzling stranger at a glamorous party; impossible not to admire, hard to resist, but dangerous to love. If you do, though (I did), be wary of the dark place behind those lovely, sparkling eyes.

Link here to the complete review in The West Australian               

Monday, July 4, 2011

Theatre: Ninety

Black Swan State Theatre Company
Written by Joanna Murray-Smith
Directed by Marcelle Schmitz
Featuring Paul English and Kirsty Hillhouse
The Studio Underground, State Theatre Centre
July 1-17, 2011

Joanna Murray-Smith
A man has agreed to spend 90 minutes with his former wife three days before he is to marry his much younger girlfriend. The former wife intends to use the time to persuade him to come back to her.
They met when he was her drama tutor, had an affair and married. Some years later he deserted her. He has become an internationally successful, award-winning actor and she an art restorer.
This is a very specific frame upon which to build a drama, full of possibilities but with very little margin for error. You have to be convinced by these two people, you have to come to want them to succeed or fail; and the working out of their situation needs to be clearly charted and reach a genuine and explicable conclusion.