Showing posts with label Ebony McGuire. Show all posts
Showing posts with label Ebony McGuire. Show all posts

Wednesday, June 30, 2021

Theatre: Fire

by Ebony McGuire

Kalyakoorl Collective

Directed by Sian Murphy

Performed by Ebony McGuire, Nadia Martich and Christopher Moro

The Blue Room

July 3 - 10, 2021

 

One of the greatest strengths of the Blue Room Theatre and its circle of independent producers and artists has been telling the stories of young adults and their contemporary, West Australian, domestic lives.

Those stories have a realism and relevance that make them both important and compelling.

They also offer great opportunities for young actors, directors and creatives to deal with subject matters they know and understand, resulting in many of the best performances we’ve seen on the Perth stage.

We are also fortunate that more and more work about life and issues by First Peoples artists is being presented on our stages. These stories, too, are real, relevant, important, compelling – and strong.

(Read the complete review in Seesaw magazine link here)

Wednesday, September 16, 2015

The Fever and the Fret (★★★★)

By Jub Clerc
Yirra Yaakin Theatre Company
Directed Kyle J Morrison
Set and costume Designer Matt McVeigh
Sound designer Joe Lui
Lighting designer Chloe Ogilvie
Performed by Kelton Pell, Irma Woods and Ebony McGuire
Subiaco Arts Centre

 Fade far away, dissolve, and quite forget
The weariness, the fever, and the fret                                      
                                      John Keats Ode to a Nightingale

Many plays have their moment on the stage and are gone, but some remain and grow in thought and memory. It’s early days yet, but The Fever and the Fret will surely be among the latter.
A long (one two-hour act), sad story of three good people, it explores loss, memory and regret with care, compassion and attention to detail. It tells you a great deal about its people, and makes you care a great deal about them.
One of the strengths of the play is that while the Aboriginality of its characters is central, the lives we see here happen everywhere, and are common to all of us.
Kelton Pell is a mighty presence on stage, and a skilled and intelligent performer. He is one of those rare actors who could play Lear. And if he did, Ebony McGuire, whose journey from awkward schoolgirl to confident, caring young woman is superbly achieved, would be the perfect Cordelia.


Read the complete review in The West Australian