Australian Chamber Orchestra members Richard Tognetti, Satu Vänskä, Julian Thompson and Nicole Divall, with Brian Ritchie and Jim Moginie
Astor Theatre 23 February
I’m loath to weigh down a review of
an ACO concert with the seating arrangements, but they set the tone for a very
perplexing evening.
For some reason I can’t begin to
fathom, there were five rows of tables and chairs set almost obscene distances
apart in front of the Astor Theatre stage. There didn’t appear to be any reason
for them – no food or drink service, or any other discernable “VIP” advantage
at all – and all it did was force the bulk of the audience back and more at the
mercy of the Astor’s sometimes-dubious acoustics.
That was an issue, because the
core of the programme was songs – often by Richard Tognetti, but also by Nick
Drake and Nine Inch Nails – performed by the ACO violinist and deputy leader Satu Vänskä. Her
voice has the same Mitteleuropean quality as, say, Nico, but it simply didn’t
cut through the muddy sound mix with clarity and strength.
The music, too, had its
disappointments. The ACO had enlisted The Violent Femmes bassist Brian Ritchile
and Oils guitarist Jim Moginie for some rock heft, but they were parked to one
side and hardly appeared above the battlements.
The string quartet playing, by
Tognetti, Satu Vänskä, Julian Thompson (cello) and Nicole Divall (viola)
was exemplary, as we expect from the ACO, but it was in the service of a diversion
from their modus operandi that was fitful, unexciting, and not a little
indulgent.
Still, hey, the ACO have stored
away plenty of brownie points in the larders of music lovers here, there and
everywhere, and they’re entitled to spend a few of them every now and then.
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