Written by
David Williamson
Directed by
Wesley Enoch
Designed by
Richard Roberts
Lighting
design by Trent Suidgeest
Sound
design by Tony Brumpton
Audio
Visual design by Declan McMonagle
Featuring
John Batchelor, Tim Dashwood, Claire Lovering, Anna McGahan and Greg McNeill
Heath Ledger Theatre, State Theatre
Centre
Until
December 2
At 201cm tall, David Williamson could have been an AFL
ruckman. Instead, he used his 1970s heyday to establish himself as Australia’s
pre-eminent, and most bankable, playwright.
With Managing Carmen, Williamson returns
to footy 35 years after The Club, his signature hit about shenanigans at a
barely-disguised Collingwood.
We’re back at the Pies, but this time it’s conniving
managers and their precious players – rather than coaches and board members –
who take centre-stage.
As an exposé of big-time sport, it’s 30 years out of date; as an argument for tolerance and honesty, it’s wafer-thin and unmemorable, and, in a gobsmackingly horrible first half, it reduces its actors to the grossest of caricatures.
As an exposé of big-time sport, it’s 30 years out of date; as an argument for tolerance and honesty, it’s wafer-thin and unmemorable, and, in a gobsmackingly horrible first half, it reduces its actors to the grossest of caricatures.
But here’s the thing. Like a battered old champ having
a bad day, Williamson demands to be taken on his own terms, and treated with
caution if not respect.
Link here to the complete review in The West Australian
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