Circa and I Fagiolini
Directed by Yaron Lifschitz
Musical director Robert Hollingworth
February 29, 2012
There were high expectations for How Like an Angel, the union of circus and vocal music which made its world premiere in Winthrop Hall on the auspicious 29th of February.
Auspicious because the show, a co-production of PIAF and the Norfolk and Norwich Festival, has been commissioned as part of the celebrations attending that other phenomena of this leap year, the London Olympic Games.
It wasn’t just Brisbane’s cutting edge circus theatre Circa, the celebrated English vocal ensemble I Fagiolini and the producers who assembled at Winthrop with high expectations.
We got everything we came for, but, ultimately, How Like an Angel was something less than the sum of its wonderful parts.
I Fagiolini too often seemed to be in excess of requirements. This came to a head when they burst into a piece by the Zulu composer Bheka Dlamini in the style of Joseph Shabalala and his Ladysmith Black Mombazo. The singers performed it with enjoyment and enthusiasm (right down to a little unassuming ululation), but what it meant, and what it was doing there, simply escaped me.
Link here to the complete review in The West Australian