Theatre: The Disappearances Project

version 1.0

For the Perth Theatre Company

Devised by Irving Gregory, Paul Prestipino, Yana Taylor and David Williams

Directed by Yana Taylor and David Williams

Composer Paul Prestipino

Lighting design by Frank Mainoo

Film directed by Yana Taylor

Cinematographer Sean Bacon

Performed by Irving Gregory and Yana Taylor

STC Studio Underground

27 – 30 July, 2011

The haunting theme of missing people has been explored here recently in Black Swan’s Madagascar and Deckchair Theatre’s Ruby Moon. Both were fine productions but neither approaches the impact of The Disappearances Project, a sure-footed and solemn hymn of pain for the missing and those who miss them, by the NSW ensemble version 1.0.

This is far from a bleak production, despite its painful subject. I can’t recall an hour in the theatre going by more quickly, driven by the poetry of the text, the quality of the performances and the sounds and images in which they are framed.

Link here  for the complete review in The West Australian, and here for Stephen Bevis's interview with David Williams.

Theatre: When Dad Married Fury

by David Williamson

Directed and designed by John Senczuk

Featuring Jay Walsh, Alinta Carroll, Corinne Davies, Richard Mellick, Alison van Reeken, Lauren Lloyd Williams, Casey Edwards and Edgar Metcalfe

The Metcalfe Playhouse

Until 21 August

David Williamson has had a lucky break.

Love him or loathe him – and there are plenty in each camp – it’s Williamson’s ability to generate the pleasurable sensation of recognition for his audience that has kept him at the forefront of Australia’s playwrights for 40 years.

Alinta Carroll and Edgar Metcalfe

In his best work, that recognition comes from the universality, in particular the universal Australian-ness, of his characters; even in his lesser plays – and When Dad Married Fury is decidedly one of those – he maintains his touch for topicality.

For that, though, a little luck goes a long way: if you could choose a week to premiere a play about a wilful old man, his feisty, much younger, second wife, his dubious offspring and a loose email that brings them all undone, surely this would be it.

Cabaret: The Beautiful Losers

Performed by Mark Jones, Mike McLeish and Karlis Zaid

Downstairs at the Maj

6 – 9 July, 2011

Mark Jones, Mike McLeish and Karlis Zaid, the Melbourne-based comedy and musical veterans who brought their dark revue, The Beautiful Losers, to the Maj Downstairs as part of its Cabaret and Comedy Carnivale, have the voices, the musicianship and the experience to do songs like Randy Newman’s revoltingly hilarious My Life Is Good justice, and the wit to turn them to their own purposes.

So what’s not to like about the Beautiful Losers? Plenty, unfortunately. There’s an unpleasant undertone to the whole endeavour that many critics have praised as brave and confronting but I found merely sour. There’s a great deal of obscenity, in word and deed, in the show, but it lacked either the irony or the twinkle in the eye to redeem it.

Link here to the complete review in The West Australian

Theatre: Scent Tales

Little y Theatre

Written by the cast, director, Corrine Davies and Alexis Davis

Directed by Joanne Foley

Designed by Monique Wajon

Music by Sian Brown

Featuring Georgia King, Mischa Ipp and Rhoda Lopez

Blue Room Theatre

Until July 16

Georgia King

Scent Tales, a parable of the passing on of knowledge, of love and forgiveness, is a little miracle and the best show to emerge from the Perth theatre so far this year.

This is a perfectly realized production, its power rising like dough turning into bread in the hands of its cast and creative team.

The story of two sisters Bea (Rhoda Lopez) and Sanji (Michelle Ipp) is narrated by their granddaughter and grand-niece (Georgia King), who at various times also plays their mother and grandmother. The grandmother’s legacy to the two girls – an extravagant string of pearls for pretty, adorable Sanji and a tiny slip of paper with the recipe for her wonderful “love bread” for intense, diligent Bea – causes a rift between the sisters that takes time and the ties that bind to heal.

Link here  for the complete review in The West Australian

Music: Kinky Friedman and Van Dyke Parks

Artbar

30 June, 2011

Kinky Friedman has built a long, singular career out of quirky country and western tunes sung in his surprisingly gentle Texan brogue, a distinctive take on life and his absolutely hilarious skills as a raconteur and quip merchant.

He had the Artbar crowd rocking with laughter and roaring their approval at his good ol’ dirty jokes, scurrilous opinions and twisted world view.

The edgy, mercurial Van Dyke Parks pounded his piano through a set of miraculous songs, pausing occasionally mid-stream to exclaim “God damn it!” or similar before sailing on again.
At its highest points — a mighty, elegiac dance by bluegrass master John Hartford called Delta Queen Waltz and his own magnificent On the Wings of a Dove (listen below) — his performance showed why many believe Parks occupies a place in American music shared only by the other contemporary inheritors of the legacy of Stephen Foster and George Gershwin, his friends and collaborators Brian Wilson and Randy Newman.

Link here to the complete review in The West Australian

Comedy: Parodies Lost

Conceived and written by Nick MacLaine and Andrew Williams

Musical director Tim Cunniffe

Performed by Joshua Brant, Caitlin Cassidy, Izaak Lim and Andrew Williams

Downstairs at the Maj

29 June – 2 July, 2011

Parodies Lost is the brainchild of the same crew whose sell out season of Tomfoolery was one of the highlights of last year’s Downstairs at the Maj season.

I’m not going to reprise the accolades that show got in this paper, whose reviewer joined in the encore “because laughing for 90 minutes is not a feeling you want to end”, but there’s no denying this fresh-faced ensemble had another packed room eating out of their hands.

Parody is the parrot that perches on the shoulder of satire demanding crackers, and that’s the difference between the pointed originality of a Tom Lehrer and the more superficial amusement of this show.

Link here for the complete review in The West Australian.

Theatre: Ninety

Black Swan State Theatre Company
Written by Joanna Murray-Smith

Directed by Marcelle Schmitz

Featuring Paul English and Kirsty Hillhouse

The Studio Underground, State Theatre Centre

July 1-17, 2011

Joanna Murray-Smith

A man has agreed to spend 90 minutes with his former wife three days before he is to marry his much younger girlfriend. The former wife intends to use the time to persuade him to come back to her.

They met when he was her drama tutor, had an affair and married. Some years later he deserted her. He has become an internationally successful, award-winning actor and she an art restorer.

This is a very specific frame upon which to build a drama, full of possibilities but with very little margin for error. You have to be convinced by these two people, you have to come to want them to succeed or fail; and the working out of their situation needs to be clearly charted and reach a genuine and explicable conclusion.